As a side project, he developed a growing fascination with surrealism. He collected old 78's and learned to play a battered cornet. He taught himself to play the piano by listening to Fats Waller, and old-time jazz, a music genre that became very instrumental in the beginnings of his career. Seemly off the beaten trail towards his musical career: Geesin enjoyed learning from hearing and often became excited by adapting to already existing music forms. I was soon playing bits of simplified Bach and the film theme from Genevieve." 1 At sixteen, Geesin discovered the banjo, shortly thereafter building one himself. "I got fairly fascinated by the 'harmonica/mouth organ virtuoso, seeing him (Larry Adler) on the television, I was given a 12-hole chromatic harmonica, maybe when I became 11. He felt inspired by Larry Adler (for whom he wrote arrangements much later), a harmonica player Geesin had heard on the radio. He is self-taught, with an interest in music from early age that began with the mouth organ. Oddly enough, Geesin started off as a pianist in an old time jazz band, at the end of the 1950's. He released plenty of records under his own name that contain songs, song collages, and field recordings, additionally writing music for a wide array of cinematic works in film and advertisement. Known significantly for writing the orchestral score for Pink Floyd's Atom Heart Mother, a project that is merely a footnote in an oeuvre of unmanageability. Ron Geesin is a composer and arranger of Dadaist surrealism, with an interest in very off-beat topics. Perfect Sound Forever: Ron Geesin RON GEESIN
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